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Book Review: Egyptology in the Present: Experiential and Experimental Methods in Archaeology by C. Graves-Brown (Ed)

SJ Harris (RSA)
The eye-catching and colourful cover illustration of the Egyptian creator-God Ptah, fully-equipped with modern toolkit, promises an informative journey into experiential and experimental archaeology in Egyptology...

Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon

Jelena Anđelković Grašar and
Milica Tapavički-Ilić (RS)
OpenArch Special Digest 2015 Issue 2
***During the late antiquity, fresco decorated tombs had a prominent place in funerary practice. All of the scenes and motifs within tombs are dedicated to the deceased persons and their apotheosis. Usually painted on the western wall of the tomb, these portraits could represent a deceased married couple or sometimes individuals...

Reproducing the Wall Painting of the Abduction of Persephone (Vergina-Macedonia): Conditions and Restrictions for a Successful Archaeological Experiment

Μ.Ι. Stefanakis,
Α. Vlavogilakis (GR)
Research on the technique of fresco painting in Macedonian tombs of the late classical period, is currently in progress through the experimental reproduction of the mural the Tomb of Persephone in the Grand Tumulus of Vergina. The purpose of the research is to identify the techniques used by ancient craftspeople, their tools, materials and ...

(Roman) Wall Fresco

Ratna Drost (NL)

Two modes of painting were practiced in Greco-Roman antiquity: painting on movable tablets and painting directly on stuccoed walls. In case of the Roman wall paintings, two principles govern the selection of compositions. One is hierarchy by which the rooms are decorated with respect to their importance in a program of activities; the other is function, which calls for a practical coordination between activity and appearance.

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